Despite financial cut-backs, the creative side of prison life always seems to win through. Events such as the annual Koestler Awards are evidence of this. So is the sterling work of, for example, Birmingham’s Geese Theatre, whose The Geese Theatre Handbook: Drama with Offenders and People at Risk has been a staple manual for trainers of all kinds since we had the privilege of working on it with them at the start of the millennium.

A similarly prized work is Michael Crowley’s Behind the Lines: Creative Writing with Offenders and People at Risk published in 2012. It shows how imaginative approaches to confronting offending behaviour – and imparting skills valuable on the outside – can have a real impact on whether someone returns to custody. Michael is a seasoned advocate for improving literacy in the prison setting. Quite apart from giving presentations at establishments such as Bristol and Erlestoke, he was for six years writer in residence at Lancaster Farms (then a young offender institution). He also helped set up a residency at Arohata Women's Prison in New Zealand in 2014. 

Despite financial cut-backs, the creative side of prison life always seems to win through. Events such as the annual Koestler Awards are evidence of this.

So is the sterling work of, for example, Birmingham’s Geese Theatre, whose The Geese Theatre Handbook: Drama with Offenders and People at Risk has been a staple manual for trainers of all kinds since we had the privilege of working on it with them at the start of the millennium.